Interview with Andre Woolery

Interview with Andre Woolery

Andre's style is a deconstruction of light that allows him to breathe structured color into every form. Combining this with graphical elements that express something beyond their physical shapes. He wants his work to visually appear close to a digital production while still remaining hand crafted. Society is sitting in the middle of digital and traditional worlds and that's where he wants his artwork to be positioned. His paintings are "simple seduction". Using simple elements that can convey an immediate message while still offering more if you fully engage. Upon engagement, viewers will be seduced through the use of striking colors, subject matter, and composition. This approach will hopefully bring Andre's art to a broader, unsuspecting audience.

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Interview with Mike Maka

Interview with Mike Maka

Mike Maka is a painter who works in a variety of media mainly on walls, canvas and illustration on paper. He has travelled and created work around the world, painting the Berlin Wall to the River Ganges. At 20, he received a scholarship to study art in New York, which lead to working as a bike messenger for 10 years in 10 cities, and leaving his mark on many walls.  An active member of Everfresh Studio since 2006, Mike has exhibited extensively through Australia as well as group shows in Brazil, Japan, Miami and New York,  and has works in private and public collections locally and abroad, including aquisitions by the National Gallery of Australia, Canberra. His work is preoccupied with the interface between man, beast and machine. Presenting a visual riot that stimulates the mind, Mike’s art conveys an imperative message to those confined in the concrete jungle to stay connected to the animal within them that lives in the natural world. He is based in Melbourne Australia, but has been known to wander in other dimensions.

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Interview with Ben Brown

Interview with Ben Brown

The work of illustrator and artist Ben Brown is loaded with pop culture iconography that has been given a trademark BB makeover. Be it Jack White with a flesh-eating disease, a zombified Elvis or Kelly Slater as Beelzebub complete with horns and tail, it is obvious Ben is having fun with what he does. This light-hearted humour that Ben applies to his work has not only been commissioned by every cool rock band to come to town in the last 20 years but it has also been a big part of the visual history of the surf and skate industry.

As Ben claims, “My work never has any underlying message.” So no matter how hard you study his deft pen and ink illustrations, they claim no deep hidden meanings, no references to secret texts, underground religions or satanic cults. You’ll have to look to Disney for that.

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Interview with Kelly Sullivan

Interview with Kelly Sullivan

Kelly was born in Melbourne and studied Graphic Arts in the 80s, when light boxes and squeaker textas ruled! She moved to Sydney in the 90s whilst attaining an Arts Degree at the National Art School in Darlinghurst. Her work is largely based on circumstances that surrounded her when she was young, as she was born to a family of great iconic imagery and pop culture of the 20th Century. Hence, Kelly's work is fundamentally grounded in graphic pop culture, that she was, and still is encircled by. She now resides in Byron Bay and when she isn't crafting and painting, she works seasonally on the 'Splendour In The Grass' music and arts festival.

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Interview with Jason Bryant

Interview with Jason Bryant

Born in 1976 in Wilson, NC, Jason Bryant now lives and works in New York, City. Bryant graduated from East Carolina University with a BFA and went on to the Maryland Institute College of Art for his MFA in painting.  Bryant moved to New York City soon after and began work with such notable artists as Kehinde Wiley and Bjarne Melgaard. Heavily influenced by classic film, Bryant begins each painting by researching images from cinematic moments or magazine images of interest to fit various themes exploring loneliness, vulnerability and frailty. Bryant renders each image, at first as a pencil sketch on canvas without the use of projection and then by transforming the image through oil paint into a photo-realistically and beautifully rendered film still. Bryant then incorporates his signature skateboard graphics, a skateboarder himself, or paints in pixilated areas often cropping the eyes or other notable features of each character.

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